Album Info
| Artist: | King Gizzard And The Lizard Wizard |
| Album: | L.W. (Explorations Into Microtonal Tuning Volume 3) |
| Released: | Australia, May 2021 |
Tracklist:
| A1 | If Not Now, Then When? | 3:50 |
| Bass - Lucas Harwood | ||
| Drums, Recorded By - Michael Cavanagh | ||
| Harmonica - Ambrose Kenny-Smith | ||
| Written By, Mixed By, Recorded By, Guitar, Drums, Vocals, Clavinet, Keyboards, Sitar, Percussion, Synthesizer - Stu Mackenzie | ||
| A2 | O.N.E. | 3:40 |
| Guitar - Joe Walker | ||
| Guitar, Synthesizer - Cook Craig | ||
| Recorded By, Drums, Percussion - Michael Cavanagh | ||
| Vocals, Percussion, Harmonica, Keyboards - Ambrose Kenny-Smith | ||
| Written By, Recorded By, Mixed By, Vocals, Guitar, Bass, Flute, Marimba, Synthesizer, Sitar - Stu Mackenzie | ||
| A3 | Pleura | 4:11 |
| Harmonica, Percussion - Ambrose Kenny-Smith | ||
| Mixed By, Vocals, Guitar, Synthesizer, Written By - Joe Walker | ||
| Recorded By, Drums - Michael Cavanagh | ||
| Written By, Recorded By, Mixed By, Guitar, Bass, Flute, Vibraphone, Vocals, Organ - Stu Mackenzie | ||
| A4 | Supreme Ascendancy | 3:39 |
| Recorded By, Drums - Michael Cavanagh | ||
| Recorded By, Vocals, Percussion, Organ, Keyboards, Piano, Written By - Ambrose Kenny-Smith | ||
| Written By, Recorded By, Mixed By, Guitar, Bass, Vocals, Sitar - Stu Mackenzie | ||
| A5 | Static Electricity | 5:49 |
| Recorded By, Drums, Percussion - Michael Cavanagh | ||
| Written By, Recorded By, Mixed By, Guitar, Vocals, Synthesizer, Bass, Keyboards - Stu Mackenzie | ||
| Written By, Vocals, Percussion - Ambrose Kenny-Smith | ||
| B1 | East West Link | 3:08 |
| Percussion, Keyboards, Harmonica - Ambrose Kenny-Smith | ||
| Piano, Synthesizer, Double Bass - Cook Craig | ||
| Recorded By, Drums, Percussion - Michael Cavanagh | ||
| Written By, Recorded By, Mixed By, Vocals, Guitar, Bass, Flute, Sitar - Stu Mackenzie | ||
| B2 | Ataraxia | 5:17 |
| Guitar, Organ, Sitar, Flute - Stu Mackenzie | ||
| Recorded By, Drums - Michael Cavanagh | ||
| Written By, Vocals, Guitar, Bass, Percussion, Recorded By, Mixed By - Joe Walker | ||
| B3 | See Me | 4:04 |
| Drums - Michael Cavanagh | ||
| Vocals, Percussion - Ambrose Kenny-Smith | ||
| Written By, Recorded By, Mixed By, Guitar, Vocals, Keyboards, Celesta, Bass, Clarinet - Stu Mackenzie | ||
| B4 | K.G.L.W. | 8:28 |
| Harmonica - Ambrose Kenny-Smith | ||
| Recorded By, Drums - Michael Cavanagh | ||
| Written By, Recorded By, Mixed By, Guitar, Vocals, Bass, Synthesizer, Percussion - Stu Mackenzie |
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Description
King Gizzard & The Lizard Wizard have done it again with their album "L.W. (Explorations Into Microtonal Tuning Volume 3)," released on February 26, 2021. This album is a continuation of their exploration into microtonal tuning, a fascinating musical approach that the band has been delving into since their previous works. If you’re familiar with King Gizzard, you know they’re not afraid to push boundaries, and this album is no exception.
From the get-go, "L.W." feels like a natural progression from their earlier microtonal albums, particularly "Flying Microtonal Banana" and "K.G." The band has a knack for blending genres, and this album is a delightful mix of psychedelic rock, world music influences, and experimental sounds. The microtonal tuning gives the music a unique flavor that sets it apart from traditional Western music, creating an otherworldly listening experience.
One of the standout tracks on the album is "If Not Now, Then When?" which features a catchy melody and intricate guitar work that showcases the band’s signature style. The song builds up with layers of instrumentation, creating a rich tapestry of sound that is both engaging and immersive. Another highlight is "O.N.E.," which has a driving rhythm and a hypnotic quality that makes it a perfect track for getting lost in.
Critics have generally received "L.W." positively, with many praising the band’s ability to innovate while still maintaining their core sound. Major publications like Pitchfork and NME have highlighted the album's adventurous spirit and the seamless integration of microtonal elements. The album has been described as a testament to King Gizzard's versatility and creativity, proving that they can continually reinvent themselves while staying true to their roots.
One interesting aspect of the album is its production. The band recorded it during the pandemic, which added a layer of challenge and creativity to the process. They managed to create a cohesive album while working in isolation, showcasing their adaptability as artists. The use of microtonal instruments, such as the specially designed guitars, adds a distinct character to the sound, making it a true exploration of musical possibilities.
In terms of cultural significance, "L.W." contributes to the growing interest in microtonal music, a niche that has been gaining traction in recent years. King Gizzard & The Lizard Wizard are at the forefront of this movement, and their willingness to experiment with tuning systems that differ from the standard Western scale is both refreshing and educational for listeners. It opens up a dialogue about the nature of music and how different cultures approach sound.
As for awards and nominations, while "L.W." may not have won any major awards yet, King Gizzard has been recognized in various music circles for their innovative approach and prolific output. Their dedication to pushing musical boundaries has earned them a loyal fanbase and respect from fellow musicians.
On a personal note, I remember the first time I listened to "Flying Microtonal Banana" and how it completely changed my perception of what music could be. With "L.W.," I felt that same sense of wonder and excitement. It’s an album that invites you to listen closely, to appreciate the nuances in the microtonal shifts, and to get lost in the layers of sound.
In conclusion, "L.W. (Explorations Into Microtonal Tuning Volume 3)" is a fantastic addition to King Gizzard & The Lizard Wizard's discography. It’s a bold, adventurous album that showcases their unique sound and commitment to musical exploration. Whether you’re a long-time fan or new to their music, this album is definitely worth a listen. It’s a journey through sound that is both enlightening and enjoyable, proving once again why King Gizzard continues to be one of the most exciting bands in the contemporary music scene.
